originally published 5/1/1994

Arts administrator Dominic Aquila offers a short sketch of the life and work of Estonian composer Arvo Pärt (born 1935). After several years of artistic and spiritual retreat during the 1970s, Pärt abandoned the harmonically austere style of serialism. Aquila notes that Pärt’s music is steeped with a profound emphasis on repentance, characteristic of the Eastern Church. Unlike the minimalist composers John Cage and Philip Glass, Pärt uses purity and simplicity of sound to point beyond the created world to the transcendent Creator. This interview was originally heard on Volume 8 of the Mars Hill Tapes.

6 minutes

PREVIEW

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At the time of our interview, Dominic Aquila was Vice President for Academic Affairs at University of St. Thomas in Houston, TX, having previously taught history and literature at Ave Maria College in Ypsilanti, Michigan. He completed his Ph.D. in history at the University of Rochester, his M.B.A. at New York University, and his B.M. at The Julliard School. His past professional posts include administrative positions with the Rochester Philharmonic Orchestra and Garth Fagan’s Dance Theater, and consulting positions with the Ohio Arts Council, the New York State Council on the Arts, and the Wadsworth Publishing Company.

Related reading and listening

  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)
  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel’s Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel’s time. (19 minutes)
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn’s work in the context of his life and faith. (24 minutes)
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
Tags:

Related reading and listening

  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)
  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey

Links to posts and programs featuring D. C. Schindler:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Junius Johnson;

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Reinhard Huetter;

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Fr. Augustine Thompson, O.P.:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Louis Markos:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring William C. Hackett:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Thomas Albert Howard:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Thomas Pfau:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Hans Boersma:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Bruce Hindmarsh:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring J. Budziszewski:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Steve L. Porter:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Norman Wirzba:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Timothy Larsen:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Bruce Herman:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Rod Dreher:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kevin J. Vanhoozer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Esther Lightcap Meek:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Alan Jacobs:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kimbell Kornu:

  • Term link format: Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • Term link format: The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • Term link format: The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • Term link format: The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • Term link format: The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • Term link format: The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Term link format: Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Term link format: St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Term link format: Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Term link format: Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Term link format: Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Term link format: Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Term link format: Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Term link format: Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Term link format: Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Term link format: Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Term link format: Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Term link format: Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Term link format: Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Term link format: Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Term link format: Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Term link format: Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Term link format: Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Term link format: Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Term link format: Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Term link format: Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Term link format: Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Term link format: Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • Term link format: How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Term link format: Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Term link format: Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Term link format: Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • Term link format: A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David Lyle Jeffrey:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David Setran:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Peter Bouteneff:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Francis J. Beckwith:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Marianne Wright:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David W. Fagerberg:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring William T. Cavanaugh:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Michael Ward:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Michael Dominic Taylor:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Rebecca Konyndyk DeYoung:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Robin Phillips:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jonathan McIntosh:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Marian Schwartz:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Andrew Kaethler:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Donald B. Kraybill:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Thomas Storck:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jonathan Chaplin:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring James W. Skillen:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Richard Stivers:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark Regnerus:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Emma Mason:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark Noll:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David Ney:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Greg Peters:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David I. Smith:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jason Paone:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kelly M. Kapic:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Eric O. Jacobsen:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jessica Hooten Wilson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring James Turner:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Matthew Rubery:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Simon Oliver:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jason Blakely:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kathryn Wehr:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Holly Ordway:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Paul Tyson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Matthew D. Stewart:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David Sehat:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring John Durham Peters:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Oliver O'Donovan:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Nigel Biggar:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Margaret Harper McCarthy:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Andrew Paul Davison:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Alison Milbank:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Brian R. Brock:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Scott Newstok:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Fiona Hughes:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring R. Jared Staudt:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Grant R. Brodrecht:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Antonio López:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Brent Hull:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Matthew B. Crawford:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kerry McCarthy:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Robert P. George:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Christine Rosen:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Scott Cairns:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Diana Pavlac Glyer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring O. Carter Snead:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Steven D. Smith:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jeremy Beer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring James K. A. Smith:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Richard Weikart:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark Evan Bonds:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Perry L. Glanzer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Dana Gioia:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Thomas E. Bergler:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Susan Srigley:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring J.A.C. Redford:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Carl Elliott:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Victor Lee Austin:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Sørina Higgins:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Steve Wilkens:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Gilbert Meilaender:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Martin X. Moleski:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Brendan Sweetman:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Allan C. Carlson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jason M. Baxter:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Barrett Fisher II:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Paul Weston:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Steven Knepper:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Susan M. Felch:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Fred Turner:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Matthew Dickerson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jack R. Baker:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring W. Bradford Wilcox:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Bill Vitek:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Adam K. Webb:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark Bauerlein:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Felicia Wu Song:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Joseph E. Davis:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Thaddeus Kozinski:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Craig M. Gay:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark T. Mitchell:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Karen Dieleman:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Tim Clydesdale:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring J. Mark Bertrand:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mathew Levering:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mark G. Malvasi:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kirk Farney:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Bradley J. Birzer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Ralph C. Wood:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Paul Heintzman:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Gil Bailie:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Zygmunt Bauman:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Matthew Lee Anderson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Mike Aquilina:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Bishop Robert Barron:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Frederick Buechner:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jeffrey Bilbro:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring James A. Herrick:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Andrew Wilson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Susan Cain:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Marilyn McEntyre:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Andrew Spencer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Albert Borgmann:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Catherine Prescott:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Maggie M. Jackson:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Garret Keizer:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Andy Crouch:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Kyle Hughes:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Philip G. Ryken:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Eric Miller:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Ted Prescott:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Landon Loftin:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Barry Hankins:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Quentin Schultze:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Dale Ahlquist:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Paul Walker:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Jason Peters:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Alexander Lingas:

Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes) The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes) The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes) The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes) The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes) The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes) Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes) St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes) Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes) Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes) Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes) Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes) Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes) Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes) Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes) Melody, harmony, unity, and diversity —
FROM VOL. 144
Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes) Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes) Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes) Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes) Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes) Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning A contemplative musical space —
FROM VOL. 129
Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring Fr. Damian Ference:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
  • Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
  • Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher
  • Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey
  • Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
  • Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
  • Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
  • Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
  • Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
  • Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
  • Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to lectures and commentary by Ken Myers:

  • Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
  • The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
  • The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
  • The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
  • The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
  • The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes)
  • Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
  • Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
  • Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
  • Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • Melody, harmony, unity, and diversity —
    FROM VOL. 144
    Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
  • Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
  • How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
  • Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
  • A contemplative musical space —
    FROM VOL. 129
    Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)

Links to posts and programs featuring David Cayley:

Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes) The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes) The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes) The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes) The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes) The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes) Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes) St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn's work in the context of his life and faith. (24 minutes) Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes) Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes) Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes) Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes) Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes) Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes) Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes) Melody, harmony, unity, and diversity —
FROM VOL. 144
Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes) Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes) Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert Mars Hill Audio Journal, Volume 69 — FEATURED GUESTS: John McWhorter, Douglas Koopman, Daniel Ritchie, Vincent Miller, and Barrett Fisher Mars Hill Audio Journal, Volume 51 — FEATURED GUESTS: Nigel Cameron, David Blankenhorn, Robert Wuthnow, Mortimer Adler, Roger Lundin, Dana Gioia, Mary Midgely, and Ted Libbey Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes) Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes) Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes) Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning A contemplative musical space —
FROM VOL. 129
Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)