Bach retrospective

released 3/22/2024

In light of Passiontide and Holy Week, Ken Myers revisits three interviews from the year 2000, which was the 250th anniversary of the death of Johann Sebastian Bach. These interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — provide an illustrative background for listeners to appreciate Bach’s theological attentiveness as well as his scholarly genius. Stapert (author of My Only Comfort: Death, Deliverance and Discipleship in the Music of Bach) describes Bach’s cantatas as “musical sermons.” Bach’s choral music, Leaver (author of the booklet J. S. Bach as Preacher: His Passions and Music for Worship) reminds listeners, was liturgical in intent, written to help congregations grow in devotion. And Wolff (author of Johann Sebastian Bach: The Learned Musician) suggests that Bach was a kind of “musical scientist”; he believed that music is a way of knowing and imitating the complex order of Creation.

36 minutes

PREVIEW

The player for the full version of this Feature is only available to current members. If you have an active membership, log in here. If you’d like to become a member — with access to all our audio programs — sign up here.

Links to posts and programs featuring D. C. Schindler:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Junius Johnson;

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Reinhard Huetter;

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Fr. Augustine Thompson, O.P.:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Louis Markos:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring William C. Hackett:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Thomas Albert Howard:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Thomas Pfau:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Hans Boersma:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Bruce Hindmarsh:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring J. Budziszewski:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Steve L. Porter:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Norman Wirzba:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Timothy Larsen:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Bruce Herman:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Rod Dreher:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kevin J. Vanhoozer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Esther Lightcap Meek:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Alan Jacobs:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kimbell Kornu:

Term link format: Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
Term link format: The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Term link format: Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Term link format: Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Term link format: Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
Term link format: The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
Term link format: The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Term link format: The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Term link format: Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Term link format: Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Term link format: Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Term link format: Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Term link format: Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Term link format: Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Term link format: Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Term link format: Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Term link format: Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Term link format: Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Term link format: Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Term link format: Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Term link format: J. S. Bach’s St. John Passion — Divine glory and human suffering
Term link format: Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Term link format: Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David Lyle Jeffrey:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David Setran:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Peter Bouteneff:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Francis J. Beckwith:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Marianne Wright:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David W. Fagerberg:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring William T. Cavanaugh:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Michael Ward:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Michael Dominic Taylor:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Rebecca Konyndyk DeYoung:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Robin Phillips:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jonathan McIntosh:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Marian Schwartz:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Andrew Kaethler:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Donald B. Kraybill:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Thomas Storck:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jonathan Chaplin:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring James W. Skillen:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Richard Stivers:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark Regnerus:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Emma Mason:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark Noll:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David Ney:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Greg Peters:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David I. Smith:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jason Paone:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kelly M. Kapic:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Eric O. Jacobsen:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jessica Hooten Wilson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring James Turner:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Matthew Rubery:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Simon Oliver:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jason Blakely:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kathryn Wehr:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Holly Ordway:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Paul Tyson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Matthew D. Stewart:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring David Sehat:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring John Durham Peters:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Oliver O'Donovan:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Nigel Biggar:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Margaret Harper McCarthy:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Andrew Paul Davison:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Alison Milbank:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Brian R. Brock:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Scott Newstok:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Fiona Hughes:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring R. Jared Staudt:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Grant R. Brodrecht:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Antonio López:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Brent Hull:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Matthew B. Crawford:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kerry McCarthy:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Robert P. George:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Christine Rosen:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Scott Cairns:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Diana Pavlac Glyer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring O. Carter Snead:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Steven D. Smith:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jeremy Beer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring James K. A. Smith:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Richard Weikart:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark Evan Bonds:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Perry L. Glanzer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Dana Gioia:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Thomas E. Bergler:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Susan Srigley:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring J.A.C. Redford:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Carl Elliott:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Victor Lee Austin:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Sørina Higgins:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Steve Wilkens:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Gilbert Meilaender:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Martin X. Moleski:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Brendan Sweetman:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Allan C. Carlson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jason M. Baxter:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Barrett Fisher II:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Paul Weston:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Steven Knepper:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Susan M. Felch:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Fred Turner:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Matthew Dickerson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jack R. Baker:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring W. Bradford Wilcox:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Bill Vitek:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Adam K. Webb:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark Bauerlein:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Felicia Wu Song:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Joseph E. Davis:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Thaddeus Kozinski:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Craig M. Gay:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark T. Mitchell:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Karen Dieleman:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Tim Clydesdale:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring J. Mark Bertrand:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mathew Levering:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mark G. Malvasi:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kirk Farney:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Bradley J. Birzer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Ralph C. Wood:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Paul Heintzman:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Gil Bailie:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Zygmunt Bauman:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Matthew Lee Anderson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Mike Aquilina:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Bishop Robert Barron:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Frederick Buechner:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jeffrey Bilbro:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring James A. Herrick:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Andrew Wilson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Susan Cain:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Marilyn McEntyre:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Andrew Spencer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Albert Borgmann:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Catherine Prescott:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Maggie M. Jackson:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Garret Keizer:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Andy Crouch:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Kyle Hughes:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Philip G. Ryken:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Eric Miller:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Ted Prescott:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Landon Loftin:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Barry Hankins:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Quentin Schultze:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Dale Ahlquist:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Paul Walker:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Jason Peters:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Alexander Lingas:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes) Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes) The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes) The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes) The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes) Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes) Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes) Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes) Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes) Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert J. S. Bach’s St. John Passion — Divine glory and human suffering Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes) Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to posts and programs featuring Fr. Damian Ference:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)

Links to lectures and commentary by Ken Myers:

Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)