Bach’s Passions in context

“Bach’s Passions belong to a long musical-liturgical tradition. Musical renditions of the Gospel accounts of Christ’s final suffering and death have deep roots in Christian worship. Tangible evidence goes back as far as the fourth century, when a Spanish nun named Egeria, while on a pilgrimage to the Holy Land, described the chanting of the Passion story in Jerusalem during Holy Week. The practice of chanting the entire story directly from one of the Gospels spread throughout Christendom during the Middle Ages. During the Renaissance, composers started to set the Passion story in simple harmonizations. Sometimes the entire story was in parts, but more usually the narrative continued to be chanted, and part-singing was reserved for the words spoken by the various groups of people and, sometimes, also for the words spoken by individuals.

“After the Reformation the Lutheran Church retained the ancient practice. Luther’s friend Johann Walter provided simple models for singing the Passion in which the narration and the words of individuals were chanted and the words of groups were sung to simple recitation formulas harmonized in four parts. This way of rendering the Passion story was still being used in Leipzig during Bach’s tenure.

“About the middle of the seventeenth century, musical settings of the Passion began to change both textually and musically. The words no longer came directly from the Bible. Instead the story was retold in newly written poetic verse called ‘madrigal’ texts. Under the influence of opera, chanting and simple part-singing were replaced by recitatives, arias, and choruses accompanied by instruments. They no longer maintained the ancient liturgical mooring in the exact words of the Bible; instead they were devotional concert music. Especially popular was a text by Barthold Heinrich Brockes that was set to music by Handel, Telemann, Matheson, and others.

“Bach’s Passions, however, were liturgical. They are more aptly called ‘oratorio Passions.’ Despite including madrigalian text, they retain the key ingredient of the ancient liturgical tradition: singing the words of the Passion narrative verbatim from one of the Gospels. In addition to the biblical text and madrigal poetry, they include chorales. The familiar texts and melodies of these congregational songs add to their liturgical fittingness. Both types of non-biblical text function as responses to the various scenes in the story. The madrigal poetry, sung as recitatives and arias by soloists, represents individual responses; the chorales, sung by the choir, represent communal responses. In both cases they draw the contemporary worshiper into the ancient story.

“In Leipzig the old style Passions, for example those of Johann Walter, were still sung in Bach’s time in the Good Friday morning Eucharist service. The elaborate new style Passions were performed in the Good Friday Vespers service, which began at 1:30 in the afternoon with the singing of a Passion chorale, ‘Da Jesu an den Kreuze stand’ (‘When Jesus hung on the cross’). The Passion and sermon followed. The Passion, divided into two parts like the larger cantatas, framed the sermon. The service concluded with a motet, the verse and a prayer called the collect, the benediction, and a final chorale.”

— from Calvin R. Stapert, J. S. Bach (Lion, 2009). Stapert has been a guest several times on the Journal, most recently on Volume 127 talking about the life and work of Joseph Haydn.

Links to posts and programs featuring Oliver O'Donovan:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Adam K. Webb:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Mark Bauerlein:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Felicia Wu Song:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Joseph E. Davis:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Thaddeus Kozinski:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Craig M. Gay:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Mark T. Mitchell:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Karen Dieleman:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Tim Clydesdale:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring J. Mark Bertrand:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Mathew Levering:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Mark G. Malvasi:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Kirk Farney:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Bradley J. Birzer:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Ralph C. Wood:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Paul Heintzman:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Gil Bailie:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Zygmunt Bauman:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Matthew Lee Anderson:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Mike Aquilina:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Bishop Robert Barron:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Frederick Buechner:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Jeffrey Bilbro:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring James A. Herrick:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Andrew Wilson:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Susan Cain:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Marilyn McEntyre:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Andrew Spencer:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Albert Borgmann:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Catherine Prescott:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Maggie M. Jackson:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Garret Keizer:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Andy Crouch:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Kyle Hughes:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Philip G. Ryken:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Eric Miller:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
J. S. Bach’s St. John Passion — Divine glory and human suffering
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
Christmas music from Luther to Bach — Tova Leigh-Choate on the roots of Bach’s Christmas Oratorio

Links to posts and programs featuring Landon Loftin:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Barry Hankins:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Quentin Schultze:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Paul Walker:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Jason Peters:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Alexander Lingas:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring Fr. Damian Ference:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to lectures and commentary by Ken Myers:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)

Links to posts and programs featuring David Cayley:

Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel's Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel's time. (19 minutes)
Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
Mars Hill Audio Journal, Volume 135 — FEATURED GUESTS: Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
Mars Hill Audio Journal, Volume 127 — FEATURED GUESTS: Christopher Shannon, Kevin Vanhoozer, Oliver O’Donovan, Rebecca DeYoung, Thomas Forrest Kelly, and Calvin Stapert
Mars Hill Audio Journal, Volume 120 — FEATURED GUESTS: Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie
Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)