released 5/21/2025

English professor Karen Dieleman discusses her book Religious Imaginaries: The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter (Ohio University Press, 2012). She addresses the influence of denominational difference in each poet’s experience of life, relating it to the resulting structure and style of their poetry. Dieleman explains that to the Congregationalist Browning, everything tended toward the expository dimension, which can be seen in the multiple-voiced, dramatic dialogue which works its way in her poetry to a point of public epiphany. In Rossetti’s Anglo-Catholic experience however, Dieleman sees a private encounter with mystery in which words are less necessary and language is more tightly disciplined. Dieleman sees the future-orientated nature of Procter’s poetry as inspired by the Roman Catholic focus on the resurrected Christ. She concludes that the Anglo-Catholic tradition was the most community-oriented of its day, expressed in Christina Rossetti’s poetry by her interchangeable use of “I” and “We.”

49 minutes

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