released 9/27/2024

Ken Myers describes the new ecosystem of Mars Hill Audio’s membership/partnership program. He says that the experience is more like being turned loose in a food court than sitting down to a meal with a planned menu. He also shares clips from five lectures recently released as Bonus Features, including one that he gave titled “Being Christian in Public: Lessons from St. Paul in Athens.” The other four lectures are: Vigen Guroian, “The Moral Imagination: Cultivating Virtue Through Great Children’s Stories”; Andrew Willard Jones, “The Priority of Peace & the Problem of Power”; Roberta Bayer, “Technological Rationality and the Common Good”; and R. V. Young, “The Rout of the Muses: The Crisis of Authority in the Fine Arts.”

26 minutes

PREVIEW

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Related reading and listening

  • Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
  • The relationship between prudence and reality  — In this lecture, Ken Myers explains how the virtue of prudence is fundamentally connected with a deep and anchored understanding of reality. (54 minutes)
  • The abolition of the fine arts — In this lecture, R. V. Young examines why people are increasingly unable to discriminate between base and fine art, arguing why this issue is of particular concern to Christians. (41 minutes)
  • Apprehending the enduring things — Vigen Guroian explains how children’s literature has the capacity to birth the moral imagination in our children, affirming for them the permanent things. (53 minutes)
  • Festivity and the goodness of Creation — Drawing on Josef Pieper’s ideas, Ken Myers explains why the spirit of festivity is the spirit of worship, and that “entertainment” is ultimately an artificial, contrived, and empty effort to achieve festivity. (25 minutes)
  • “A society of friends at work” — Political philosopher Andrew Willard Jones lays out a robust vision for a just society in which virtues are formed in an analogical manner through relational obedience and trust. (71 minutes)
  • Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
  • In praise of a hierarchy of taste — In a lecture at a CiRCE Institute conference, Ken Myers presented a rebuttal to the notion that encouraging the aesthetic appreciation of “higher things” is elitist and undemocratic. (58 minutes)
  • No neutral view of the cosmos — Ken Myers argues that Christians need to recover a “whole-earth discipleship” that enables them to think Christianly about all areas of life, including public life. (50 minutes)
  • A fearful darkness in mind, heart, and spirit — Roberta Bayer draws on the work of George Parkin Grant (1918–1988) to argue that our “culture of death” must be countered with an understanding of reality based in love, redemptive suffering, and a recognition of limitations to individual control. (33 minutes)
  • Friendship and life together — In a lecture at Providence College, Ken Myers explores how the concept of friendship, which used to be central to political philosophy, was banished from considerations of public life as the state was exalted over society. (53 minutes)
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  • Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
  • In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
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  • Mars Hill Audio Journal, Volume 159 — FEATURED GUESTS: Kirk Farney, Andrew Willard Jones, James L. Nolan, Jr., Andrew Kaethler, Peter Ramey, and Kathryn Wehr
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  • Before Church and State — Andrew Willard Jones challenges some of the conventional paradigms of thinking about political order, arguing that modern assumptions of the relationship between Church and state color how we understand history. (54 minutes
  • With Eastern eyes — Paul Valliere and Vigen Guroian discuss questions of law, politics, and human nature from the Orthodox tradition. (34 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
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  • Renaissance music for Good Friday — In a special Feature for Good Friday, Ken Myers shares settings of passages from the Book of Lamentations and of the Tenebrae Responsories by Tomás Luis de Victoria. (18 minutes)
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  • Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
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  • Questioning the “sacred-secular” division — With the stage set by Michael Sandel, Jean Bethke Elshtain, David L. Schindler, and John Milbank, Andrew Willard Jones examines a medieval alternative to the modern liberal paradigm. (61 minutes)
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