Music, passion, and politics

Related reading and listening

• The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
• The Bully Pulpit: Presidential Rhetoric and True Leadership — Elvin Lim talks about the decline of the content of presidential rhetoric and its consequences to democracy. (49 minutes)
• The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
• The formation of affections — FROM VOL. 101 James K. A. Smith explains how education always involves the formation of affections and how the form of Christian education should imitate patterns of formation evident in historic Christian liturgy. (15 minutes)
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• Prudence in politics — FROM VOL. 146 Henry T. Edmondson, III talks about Flannery O’Connor’s understanding of political life, which was influenced by a range of thinkers including Aristotle, Thomas Aquinas, Eric Voegelin, and Russell Kirk. (19 minutes)
• Ideas and historical consequences — Historian John Lukacs (1924–2019) discusses the relationship between institutions and character, popular sentiment versus public opinion, the distinction between patriotism and nationalism, and the very nature of studying history. (36 minutes)
• How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
• Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
• Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
• Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
• The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
• What makes our desires and action intelligible — David Bentley Hart on why we must believe that human beings are by nature inclined to the super-natural
• Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
• Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
• The tasks, conditions, and limits of democratic politics — Excerpts from three interviews with Jean Bethke Elshtain about her concern that democracy might not be able to survive widespread distrust or the dynamics of identity politics. (37 minutes)
• Pragmatism, Politics, and the Spirit of Tragedy — John Patrick Diggins discusses themes in two of his books: The Promise of Pragmatism: Modernism and the Crisis of Knowledge and Authority (1994) and Max Weber: Politics and the Spirit of Tragedy (1996). (27 minutes)
• Desire desires desire — Zygmunt Bauman on being a consumer in a consumer society
• The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
• Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
• Diagnosing our political conflicts — Michael Hanby explains why the modern pursuit of freedom — obeying its founding logic — has taken such a destructive turn. (36 minutes)
• Post-liberalism of an earlier generation — Allan C. Carlson discusses an anthology of articles from Free America, a magazine published between 1937 and 1947 whose writers believed that political democracy could only survive if coupled with decentralized economic democracy. (26 minutes)
• The problem of a degenerate electorate — Aquinas, Augustine, and Aristotle on good government, as summarized by Reginald Garrigou-Lagrange
• The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
• Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
• Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel’s Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel’s time. (19 minutes)
• John Lukacs, R.I.P. — Historian John Lukacs discusses the vocation of studying history and how it is more a way of knowing human experience than it is a science. (23 minutes)
• St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn’s work in the context of his life and faith. (24 minutes)
• Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
• Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
• Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
• Mars Hill Audio Journal, Volume 126 — FEATURED GUESTS: James W. Skillen, Christian Smith, B. W. Powe, David Downing, Roger Scruton, and Jonathan Arnold
• Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes
• Mars Hill Audio Journal, Volume 118 — FEATURED GUESTS: Gilbert Meilaender, Ron Highfield, Mark Mitchell, Daniel M. Bell, Jr., Helen Rhee, and Peter Brown
• Mars Hill Audio Journal, Volume 109 — FEATURED GUESTS: Douglas Coupland, Charles Mathewes, William T. Cavanaugh, William Dyrness, Steven Guthrie, and Susannah Clements
• Mars Hill Audio Journal, Volume 107 — FEATURED GUESTS: Victor Lee Austin, Ellen T. Charry, Anthony Esolen, Ferdinand Schlingensiepen, Allen Verhey, and Calvin Stapert
• Mars Hill Audio Journal, Volume 98 — FEATURED GUESTS: Stanley Hauerwas, Clarke Forsythe, Gilbert Meilaender, Jeanne Murray Walker, Roger Lundin, and David Bentley Hart
• Mars Hill Audio Journal, Volume 97 — FEATURED GUESTS: Mark Noll, Stanley Fish, James Peters, Scott Moore, and Makoto Fujimura
• Mars Hill Audio Journal, Volume 96 — FEATURED GUESTS: David A. Smith, Kiku Adatto, Elvin T. Lim, David Naugle, Richard Stivers, and John Betz
• Robert R. Riley: “The Music of the Spheres, or the Metaphysics of Music” — Robert R. Riley contrasts two sets of assumptions about music, and introduces two 20th-century composers who rejected the metaphysics of chaos in their compositions: the Danish composer Vagn Holmboe and the American John Adams. (43 minutes)
• Mars Hill Audio Journal, Volume 94 — FEATURED GUESTS: Maggie Jackson, Mark Bauerlein, Tim Clydesdale, Andy Crouch, and Jeremy Begbie
• Mars Hill Audio Journal, Volume 91 — FEATURED GUESTS: John Witte, Jr., Hugh Brogan, Daniel Ritchie, Daniel Walker Howe, George McKenna, and Patrick Deneen
• Mars Hill Audio Journal, Volume 88 — FEATURED GUESTS: Diana Pavlov Glyer, Michael J. Lewis, Steve Talbott, Darryl Tippens, Everett Ferguson, Alexander Lingas, and Calvin Stapert
• Mars Hill Audio Journal, Volume 84 — FEATURED GUESTS: Harry L. Lewis, Nicholas Wolterstorff, Brendan Sweetman, James Turner Johnson, David Martin, and Edward Ericson, Jr.
• Mars Hill Audio Journal, Volume 81 — FEATURED GUESTS: Nigel Cameron, Joel James Shuman, Brian Volck, Russell Hittinger, Mark Noll, and Stephen Miller
• Mars Hill Audio Journal, Volume 80 — FEATURED GUESTS: Stephen A. McKnight, Tim Morris, Don Petcher, Vigen Guroian, Paul Valliere, and Calvin Stapert
• Mars Hill Audio Journal, Volume 79 — FEATURED GUESTS: Carson Holloway, Peter Augustine Lawler, Hadley Arkes, Ben Witherington, III, Christopher Shannon, and Roger Lundin