Seven Messianic titles, seven attributes of Christ

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1. Seasons and everyday saints — Sylvie Vanhoozer introduces a French Advent tradition that involves a community of “little saints” whose stories have something to teach us about following Christ throughout the year. (28 minutes)
2. Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
3. The relationship between prudence and reality  — In this lecture, Ken Myers explains how the virtue of prudence is fundamentally connected with a deep and anchored understanding of reality. (54 minutes)
4. Constructing your Favorites List — Ken Myers describes the new ecosystem of Mars Hill Audio’s membership/partnership program and shares clips from five recent lectures released as Bonus Features. (26 minutes)
5. Festivity and the goodness of Creation — Drawing on Josef Pieper’s ideas, Ken Myers explains why the spirit of festivity is the spirit of worship, and that “entertainment” is ultimately an artificial, contrived, and empty effort to achieve festivity. (25 minutes)
6. Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
7. In praise of a hierarchy of taste — In a lecture at a CiRCE Institute conference, Ken Myers presented a rebuttal to the notion that encouraging the aesthetic appreciation of “higher things” is elitist and undemocratic. (58 minutes)
8. No neutral view of the cosmos — Ken Myers argues that Christians need to recover a “whole-earth discipleship” that enables them to think Christianly about all areas of life, including public life. (50 minutes)
9. The formative power of hymns and hymnbooks — FROM VOL. 149 Christopher Phillips discusses the cultural and spiritual effects of hymns and the “thingness” of hymnals. (18 minutes)
10. Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)
11. Early 19th-century hymnody — FROM VOL. 151 Musicologist Peter Mercer-Taylor tells the story of how early 19th-century hymnody introduced many Americans to a repertoire of classical music. (27 minutes)
12. Friendship and life together — In a lecture at Providence College, Ken Myers explores how the concept of friendship, which used to be central to political philosophy, was banished from considerations of public life as the state was exalted over society. (53 minutes)
13. Developing a Christian aesthetic — In the inaugural lecture for the Eliot Society, titled “Faithful Imaginations in a Meaningful Creation,” Ken Myers addresses the question of the relationship between the arts and the Church. (59 minutes)
14. The Life was the Light of men — In a lecture from 2018, Ken Myers contrasts the Enlightenment’s understanding of reason with the Christocentric conception of reason. (57 minutes)
15. Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
16. Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
17. In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
18. In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
19. Melody, harmony, unity, and diversity — FROM VOL. 144Theologian Peter Bouteneff explains how Arvo Pärt’s rediscovery of the meaning of melody and harmony led to an awareness of the significance of prayer. (23 minutes)
20. A contemplative musical space — FROM VOL. 129Arvo Pärt’s music, says conductor Peter Phillips, shares with that of the Renaissance an experience of timelessness within time. (22 minutes)
21. Earthly things in relation to heavenly realities — In this lecture, Ken Myers argues that the end of education is to train students to recognize what is really real. The things of this earth are only intelligible in light of heavenly realities. (59 minutes)
22. Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
23. Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
24. The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
25. The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
26. Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
27. Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
28. The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that captures some sense of the astonishing fact of the Nativity of our Lord. (26 minutes)
29. Beckoning to wisdom — Poet Malcolm Guite and composer J.A.C. Redford talk about their collaboration on a song cycle inspired by the O Antiphons of Advent. (22 minutes)
30. Renaissance music for Good Friday — In a special Feature for Good Friday, Ken Myers shares settings of passages from the Book of Lamentations and of the Tenebrae Responsories by Tomás Luis de Victoria. (18 minutes)
31. Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
32. The role of hymns in building faith — Darryl Tippens reminds us of Scriptural texts in which a person is moving closer to God when music breaks out (such as Mary’s Magnificat, and he discusses the history of music in the church. (23 minutes)
33. The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
34. Walter Hooper, R.I.P., and Christina Rossetti’s Advent poems — Walter Hooper (1931-2020) describes his first meeting with C. S. Lewis, a man he so admired and long served. In a second chapter in today’s Feature, Emma Mason explains how Christina Rossetti’s hopeful eschatological beliefs influenced the poems she wrote about the season of Advent. (21 minutes)
35. Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
36. The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
37. The poetic power of hymnody — Leland Ryken argues for reading hymns as devotional poetry, that we might have constant access to their spiritual insights and that they might help nurture and shape us into disciples. (12 minutes)
38. Mars Hill Audio Journal, Volume 144 — FEATURED GUESTS: Jonathan Mcintosh, Kevin Vost, Malcolm Guite, R. David Cox, Grant Brodrecht, and Peter Bouteneff
39. Six recent books worthy of note — Ken Myers shares a summary of six recent books that we want our listeners to know about but whose authors we won’t be interviewing. (15 minutes)
40. O Come, O Come, Emmanuel: Malcolm Guite and J. A. C. Redford on the Advent O Antiphons — Poet and priest Malcolm Guite and compose J. A. C. Redford talk about how poetry and liturgy invite repetition, and also about how music interprets a text and alters how one inhabits poetry over time. (64 minutes)
41. The inevitability of escalating public animosity — With excerpts from books and lectures by Alasdair MacIntyre, Oliver O’Donovan, and Wendell Berry, Ken Myers argues that modern political theory has guaranteed increasing levels of public conflict. (19 minutes)
42. Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
43. Mars Hill Audio Journal, Volume 136 — FEATURED GUESTS: Thomas Albert Howard, Mark Noll, Andrew Pettegree, Peter J. Leithart, Norm Klassen, James Litton, and Joseph O’Brien
44. Mars Hill Audio Journal, Volume 132 — FEATURED GUESTS: David I. Smith, Susan Felch, D. C. Schindler, Malcolm Guite, and J. A. C. Redford
45. Mars Hill Audio Journal, Volume 129 — FEATURED GUESTS: Nicholas Carr, Robert Pogue Harrison, R. J. Snell, Norman Wirzba, Philip Zaleski, Carol Zaleski, and Peter Phillips
46. Mars Hill Audio Journal, Volume 126 — FEATURED GUESTS: James W. Skillen, Christian Smith, B. W. Powe, David Downing, Roger Scruton, and Jonathan Arnold
47. Mars Hill Audio Journal, Volume 106 — FEATURED GUESTS: Adam Briggle, John C. Médaille, Christopher Page, Christian Smith, Herman Daly, and Thomas Hibbs
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