The Incarnation presented in music

Related reading and listening

1. Seven Messianic titles, seven attributes of Christ — Ken Myers introduces listeners to four composers who each have set all seven of the O Antiphons to music. (17 minutes)
2. The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
3. Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
4. Counterpoint as a “spirited discussion” — In this essay, John Ahern explains the beauty and order of counterpoint, the accumulation of multiple melodies that come together in a harmonious whole. (20 minutes)
5. The Decline of Formal Speech and Why It Matters — John McWhorter examines the reasons behind the decline in articulate speech and writing in the late 20th century, and the implications of this change across many areas of culture. (55 minutes)
6. Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
7. The formative power of hymns and hymnbooks — FROM VOL. 149 Christopher Phillips discusses the cultural and spiritual effects of hymns and the “thingness” of hymnals. (18 minutes)
8. Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)
9. Early 19th-century hymnody — FROM VOL. 151 Musicologist Peter Mercer-Taylor tells the story of how early 19th-century hymnody introduced many Americans to a repertoire of classical music. (27 minutes)
10. St. Irenaeus against the Gnostics — In this reading of an essay by theologian Khaled Anatolios, St. Irenaeus is remembered for his synthesis of faith and reason. (52 minutes)
11. How music reflects and continues the created order — Musician, composer, and teacher Greg Wilbur explores how music reflects the created order of the cosmos. (55 minutes)
12. “Reading Lewis with blinders on” — Chris Armstrong explains how C. S. Lewis’s work is grounded deeply in the Christian humanist tradition. (45 minutes)
13. Martyrdom and music — To mark the feast day of the Martyrdom of Polycarp, we offer an interview from 2004 with composer J. A. C. Redford and poet Scott Cairns about their work together on an oratorio based on the story of Polycarp’s death. (15 minutes)
14. Redford, J.A.C. — FROM THE GUEST PAGE: J.A.C. Redford is a composer, arranger, orchestrator and conductor of concert, chamber and choral music, film, television and theater scores, and music for recordings.
15. In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
16. In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
17. Mars Hill Audio Journal, Volume 159 — FEATURED GUESTS: Kirk Farney, Andrew Willard Jones, James L. Nolan, Jr., Andrew Kaethler, Peter Ramey, and Kathryn Wehr
18. Maximalist music — FROM VOL. 8Dominic Aquila explains how — unlike the minimalist composers John Cage and Philip Glass — Arvo Pärt uses purity and simplicity to point beyond the created world to the transcendent Creator. (6 minutes)
19. Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
20. Music without emotivism — Julian Johnson discusses how novel, historically speaking, is the idea of complete relativism in musical judgment. (33 minutes)
21. Music, passion, and politics — In this interview from 2001, Carson Holloway discusses his book All Shook Up: Music, Passion, and Politics, which summarizes the dramatic chasm between the classical and modern views of political ends and of musical means. (45 minutes)
22. The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
23. The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
24. Parsing the intellectual vocation — Norman Klassen and Jens Zimmermann demonstrate that some form of humanism has always been central to the purposes of higher education, and insist that the recovery of a rich, Christocentric Christian humanism is the only way for the university to recover a coherent purpose. (39 minutes)
25. Mars Hill Audio Journal, Volume 154 — FEATURED GUESTS: Felicia Wu Song, Michael Ward, Norman Wirzba, Carl Trueman, D. C. Schindler, and Kerry McCarthy
26. Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
27. Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
28. “Broken Bodies Redeemed” — Today’s Feature presents a reading of a 2007 article by Gilbert Meilaender that explores the significance for bioethics of the mystery of human being as body and soul. (39 minutes)
29. The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that captures some sense of the astonishing fact of the Nativity of our Lord. (26 minutes)
30. Beckoning to wisdom — Poet Malcolm Guite and composer J.A.C. Redford talk about their collaboration on a song cycle inspired by the O Antiphons of Advent. (22 minutes)
31. Renaissance music for Good Friday — In a special Feature for Good Friday, Ken Myers shares settings of passages from the Book of Lamentations and of the Tenebrae Responsories by Tomás Luis de Victoria. (18 minutes)
32. Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
33. The role of hymns in building faith — Darryl Tippens reminds us of Scriptural texts in which a person is moving closer to God when music breaks out (such as Mary’s Magnificat, and he discusses the history of music in the church. (23 minutes)
34. Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
35. The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
36. Roger Scruton: Music as an Art — Philosopher Roger Scruton explains why there are some things — music in particular and art in general — which one can’t rightly or fully perceive without making judgments. (32 minutes)
37. Origins and attributes of Handel’s Messiah — Calvin Stapert explains the origins and character of Handel’s Messiah and describes the work as a Christocentric theological response to the nascent deism in the society and church in Handel’s time. (19 minutes)
38. The poetic power of hymnody — Leland Ryken argues for reading hymns as devotional poetry, that we might have constant access to their spiritual insights and that they might help nurture and shape us into disciples. (12 minutes)
39. St. Paul’s conversion set to music — Mendelssohn biographer R. Larry Todd provides a context for appreciating Mendelssohn’s work in the context of his life and faith. (24 minutes)
40. O Come, O Come, Emmanuel: Malcolm Guite and J. A. C. Redford on the Advent O Antiphons — Poet and priest Malcolm Guite and compose J. A. C. Redford talk about how poetry and liturgy invite repetition, and also about how music interprets a text and alters how one inhabits poetry over time. (64 minutes)
41. Mars Hill Audio Journal, Volume 141 — FEATURED GUESTS: Grant Wythoff, Susanna Lee, Gerald R. Mcdermott, Carlos Eire, Kelly Kapic, and James Matthew Wilson
42. Mars Hill Audio Journal, Volume 137 — FEATURED GUESTS: Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
43. Mars Hill Audio Journal, Volume 136 — FEATURED GUESTS: Thomas Albert Howard, Mark Noll, Andrew Pettegree, Peter J. Leithart, Norm Klassen, James Litton, and Joseph O’Brien
44. Mars Hill Audio Journal, Volume 132 — FEATURED GUESTS: David I. Smith, Susan Felch, D. C. Schindler, Malcolm Guite, and J. A. C. Redford
45. Mars Hill Audio Journal, Volume 130 — FEATURED GUESTS: Jacob Silverman, Carson Holloway, Joseph Atkinson, Greg Peters, Antonio López, and Julian Johnson
46. Cadences which break (or mend) the heart — George Steiner on the mystery of musical meaning
47. Mars Hill Audio Journal, Volume 128 — FEATURED GUESTS: Matthew Crawford, Carlo Lancellotti, James Turner, Rod Dreher, Mark Evan Bonds, and Jeremy Beer
48. Word becomes flesh, Reality becomes fact — Henri de Lubac on the Incarnation and history
49. Mars Hill Audio Journal, Volume 126 — FEATURED GUESTS: James W. Skillen, Christian Smith, B. W. Powe, David Downing, Roger Scruton, and Jonathan Arnold
50. Mars Hill Audio Journal, Volume 124 — FEATURED GUESTS: John Fea, Robert F. Rea, John C. Pinheiro, R. J. Snell, Duncan G. Stroik, Kate Tamarkin, and Fiona Hughes