The music and the notes are precious

Related reading and listening

• Seasons and everyday saints — Sylvie Vanhoozer introduces a French Advent tradition that involves a community of “little saints” whose stories have something to teach us about following Christ throughout the year. (28 minutes)
• The physical beauty of music — Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
• Music and the meaning of Creation — In this 2018 lecture, Ken Myers advocates for a recovery of the pre-Enlightenment idea of the intelligibility of music. (61 minutes)
• The relationship between prudence and reality  — In this lecture, Ken Myers explains how the virtue of prudence is fundamentally connected with a deep and anchored understanding of reality. (54 minutes)
• Constructing your Favorites List — Ken Myers describes the new ecosystem of Mars Hill Audio’s membership/partnership program and shares clips from five recent lectures released as Bonus Features. (26 minutes)
• Festivity and the goodness of Creation — Drawing on Josef Pieper’s ideas, Ken Myers explains why the spirit of festivity is the spirit of worship, and that “entertainment” is ultimately an artificial, contrived, and empty effort to achieve festivity. (25 minutes)
• Forms as portals to reality — Ken Myers explains the ancient classical and Christian view that music embodies an order and forms that correspond to the whole of created reality, in its transcendence and materiality. (54 minutes)
• In praise of a hierarchy of taste — In a lecture at a CiRCE Institute conference, Ken Myers presented a rebuttal to the notion that encouraging the aesthetic appreciation of “higher things” is elitist and undemocratic. (58 minutes)
• No neutral view of the cosmos — Ken Myers argues that Christians need to recover a “whole-earth discipleship” that enables them to think Christianly about all areas of life, including public life. (50 minutes)
• The formative power of hymns and hymnbooks — FROM VOL. 149 Christopher Phillips discusses the cultural and spiritual effects of hymns and the “thingness” of hymnals. (18 minutes)
• Congregational singing in Martin Luther’s time — FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes)
• Early 19th-century hymnody — FROM VOL. 151 Musicologist Peter Mercer-Taylor tells the story of how early 19th-century hymnody introduced many Americans to a repertoire of classical music. (27 minutes)
• Friendship and life together — In a lecture at Providence College, Ken Myers explores how the concept of friendship, which used to be central to political philosophy, was banished from considerations of public life as the state was exalted over society. (53 minutes)
• Developing a Christian aesthetic — In the inaugural lecture for the Eliot Society, titled “Faithful Imaginations in a Meaningful Creation,” Ken Myers addresses the question of the relationship between the arts and the Church. (59 minutes)
• Creation as beauty and gift — FROM VOL. 67 David Bentley Hart describes how the Christian understanding of Creation as beauty and gift, as the outward expression of the delight the Trinity has in itself, reveals a vision of reality different from the pagan or fatalist vision of reality. (12 minutes)
• The Life was the Light of men — In a lecture from 2018, Ken Myers contrasts the Enlightenment’s understanding of reason with the Christocentric conception of reason. (57 minutes)
• Genealogy of a work of praise — For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
• Bach retrospective — In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
• Music that demands an existential commitment — Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
• The dance of law and freedom — Calvin Stapert on the experience of joyous order in Bach’s music
• The infinity of beauty in Bach — David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
• Pierced feet, wounded side, bloodied head — As Passiontide begins (the coming Sunday), Ken Myers introduces listeners to Membra Jesu Nostri, an hour-long cycle of seven cantatas written about 1680 by Dieterich Buxtehude (1637–1707). (16 minutes)
• In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
• In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
• Earthly things in relation to heavenly realities — In this lecture, Ken Myers argues that the end of education is to train students to recognize what is really real. The things of this earth are only intelligible in light of heavenly realities. (59 minutes)
• Turn to the Lord your God — Ken Myers introduces musical settings from the book of Lamentations, traditionally sung during Holy Week. (26 minutes)
• The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
• Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
• Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
• The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that captures some sense of the astonishing fact of the Nativity of our Lord. (26 minutes)
• Beckoning to wisdom — Poet Malcolm Guite and composer J.A.C. Redford talk about their collaboration on a song cycle inspired by the O Antiphons of Advent. (22 minutes)
• Mars Hill Audio Journal, Volume 151 — FEATURED GUESTS: Richard Stivers, Holly Ordway, Robin Phillips, Scott Newstok, Junius Johnson, and Peter Mercer-Taylor
• Renaissance music for Good Friday — In a special Feature for Good Friday, Ken Myers shares settings of passages from the Book of Lamentations and of the Tenebrae Responsories by Tomás Luis de Victoria. (18 minutes)
• Bach’s Passions in context — Calvin Stapert on the evolution of an ancient musical-liturgical tradition
• Meditative music for Passiontide — At the start of Passiontide, Ken Myers introduces listeners to works by the Renaissance composer Orlande de Lassus which highlight the theme of lamentation. (18 minutes)
• The role of hymns in building faith — Darryl Tippens reminds us of Scriptural texts in which a person is moving closer to God when music breaks out (such as Mary’s Magnificat, and he discusses the history of music in the church. (23 minutes)
• How hymnody produced an important English poet — Christopher N. Phillips on William Cowper’s suffering and (artistic) triumphs
• From cities humming with a restless crowd — In a much-sung hymn and a little-known poem, William Cowper seeks retirement from worldliness
• The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
• Mars Hill Audio Journal, Volume 149 — FEATURED GUESTS: Dru Johnson, Steven L. Porter, Reinhard Hütter, Matthew Levering, David Lyle Jeffrey, and Christopher Phillips
• Walter Hooper, R.I.P., and Christina Rossetti’s Advent poems — Walter Hooper (1931-2020) describes his first meeting with C. S. Lewis, a man he so admired and long served. In a second chapter in today’s Feature, Emma Mason explains how Christina Rossetti’s hopeful eschatological beliefs influenced the poems she wrote about the season of Advent. (21 minutes)
• Music for St. Cecilia’s Day — Ken Myers introduces several poems and related musical compositions that celebrate the heavenly gift of music and thereby honor St. Cecilia. (21 minutes)
• The Mystery Sonatas of Heinrich Biber — Baroque violinist Fiona Hughes reflects on Heinrich Biber’s 15 “Mystery Sonatas,” each of which corresponds to one of the mysteries in the life of Jesus and Mary that focused meditative devotion. (14 minutes)
• The poetic power of hymnody — Leland Ryken argues for reading hymns as devotional poetry, that we might have constant access to their spiritual insights and that they might help nurture and shape us into disciples. (12 minutes)
• Six recent books worthy of note — Ken Myers shares a summary of six recent books that we want our listeners to know about but whose authors we won’t be interviewing. (15 minutes)
• O Come, O Come, Emmanuel: Malcolm Guite and J. A. C. Redford on the Advent O Antiphons — Poet and priest Malcolm Guite and compose J. A. C. Redford talk about how poetry and liturgy invite repetition, and also about how music interprets a text and alters how one inhabits poetry over time. (64 minutes)
• Martin Luther, Printing, and the Making of the Reformation — Historian Andrew Pettegree (Brand Luther: 1517, Printing, and the Making of the Reformation) describes how Luther’s facility for writing in German and his intuitive business sense spread ideas and transformed the distribution model of the printing industry. (55 minutes)
• The inevitability of escalating public animosity — With excerpts from books and lectures by Alasdair MacIntyre, Oliver O’Donovan, and Wendell Berry, Ken Myers argues that modern political theory has guaranteed increasing levels of public conflict. (19 minutes)
• Music for Good Friday — A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
• J. S. Bach’s St. John Passion — Divine glory and human suffering