released 2/12/2021
On Volume 149, Christopher Phillips describes the varied roles that hymnals — and meditative reflection on the texts of hymns — have played in building faith. Today’s Feature retrieves an interview from Volume 88 with Darryl Tippens, the author of That’s Why We Sing. Tippens reminds us of Scriptural texts in which a person is moving closer to God when music breaks out (such as Mary’s Magnificat.) He discusses the history of music in the church, and hopes we can turn around the current view of singing within the church.
23 minutes
PREVIEW
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Related reading and listening
- The formative power of hymns and hymnbooks —
FROM VOL. 149 Christopher Phillips discusses the cultural and spiritual effects of hymns and the “thingness” of hymnals. (18 minutes) - Congregational singing in Martin Luther’s time —
FROM VOL. 137 Liturgical scholar Robin Leaver clarifies some misconceptions about Martin Luther’s commitment to congregational singing. (10 minutes) - Early 19th-century hymnody —
FROM VOL. 151 Musicologist Peter Mercer-Taylor tells the story of how early 19th-century hymnody introduced many Americans to a repertoire of classical music. (27 minutes) - In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
- In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
- The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that capture some sense of the astonishing fact of the Nativity of our Lord. (15 minutes)
- The music and the notes are precious — Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
- Is religious belief really true? — Joseph Cardinal Ratzinger asks if Christian faith is just lovely subjective consolation, a kind of make-believe world side by side with the real world
- Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
- Passions before Bach — In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
- The mysteries and glory of Christmas and its music — Ken Myers presents examples of music from five centuries that captures some sense of the astonishing fact of the Nativity of our Lord. (26 minutes)
- Beckoning to wisdom — Poet Malcolm Guite and composer J.A.C. Redford talk about their collaboration on a song cycle inspired by the O Antiphons of Advent. (22 minutes)
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- How hymnody produced an important English poet — Christopher N. Phillips on William Cowper’s suffering and (artistic) triumphs
- The Incarnation presented in music — Composer J.A.C. Redford talks about the theme of the Incarnation as musically presented in his choral symphony for Christmas entitled “Welcome All Wonders.” (23 minutes)
- Mars Hill Audio Journal, Volume 149 — FEATURED GUESTS: Dru Johnson, Steven L. Porter, Reinhard Hütter, Matthew Levering, David Lyle Jeffrey, and Christopher Phillips
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