PREVIEW
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Guests heard on Volume 119
Mary Eberstadt, author of How the West Really Lost God, on how the decline of formation of natural families has made Christian belief less plausible and contributed to the secularization of Europe
Allan Bevere, contributor to Jesus is Lord, Caesar is Not: Evaluating Empire in New Testament Studies, on why the claim by “empire criticism” that the letter to the Colossians is a veiled repudiation of Roman imperial hubris is mistaken
Peter J. Leithart, author of Between Babel and Beast: America and Empires in Biblical Perspective, on how the Bible evaluates empires in light of their relationship with the people of God
Steven Boyer, co-author of The Mystery of God: Theology for Knowing the Unknowable, on why “mystery” is a necessary category in Christian theology
Karen Dieleman, author of Religious Imaginaries: The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Proctor, on how different liturgical practices of Victorian congregationalism, Anglo-Catholicism, and Roman Catholicism influenced the poetry of three poets
Peter Phillips, author of What We Really Do: The Tallis Scholars, on the founding of The Tallis Scholars and the peculiar beauty of Renaissance polyphony
Related reading and listening
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- The rediscovery of meaning — Poet and theologian Malcolm Guite explains Owen Barfield’s idea of the development of consciousness over time, an evolution made evident through language that reveals an earlier, pre-modern way of seeing the world. (63 minutes)
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- Dieleman, Karen — FROM THE GUEST PAGE: Karen Dieleman is Professor of English at Redeemer University. In addition to teaching, she pursues scholarship in the field of Victorian poetry, specifically the complexities of religion and theology as they intersect with poetic form.
- In tune with the muses of Zion — Ken Myers on the Christmas music of Michael Praetorius
- In dulci jubilo — Ken Myers introduces some of the music for the season composed by Michael Praetorius (1571–1621), best known for his settings of Es ist ein Ros entsprungen (“Lo how a rose e’er blooming”) and In dulci jubilo. (18 minutes)
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