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The physical beauty of music
Music can be likened to a cathedral, says professional guitarist Gordon Kreplin, when it creates through silence and sound a meditative space into which one may enter and encounter God. (14 minutes)
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Creation as beauty and gift
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Genealogy of a work of praise
For Good Friday, Ken Myers tells the history of the text and music behind the popular hymn, “O Sacred Head, now wounded.” (27 minutes)
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Bach retrospective
In light of Passiontide and Holy Week, Ken Myers revisits three interviews — with Calvin Stapert, Robin Leaver, and Christoph Wolff — that provide an illustrative background for listeners to appreciate J. S. Bach’s theological attentiveness and scholarly genius. (36 minutes)
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Music that demands an existential commitment
Jaroslav Pelikan on the radical differences between Handel’s Messiah and Bach’s Passions
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The infinity of beauty in Bach
David Bentley Hart on why Johann Sebastian Bach is the greatest of Christian theologians
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The music and the notes are precious
Ken Myers encourages an understanding of the Church as a particular culture that should be nourished and sustained, and then describes the history of an Advent hymn written by St. Ambrose. (27 minutes)
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Passions before Bach
In preparation for Holy Week, Ken Myers presents a whirlwind music history lesson with musical examples from the sixteenth, seventeenth, and eighteenth centuries. (22 minutes)
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Bach’s Passions in context
Calvin Stapert on the evolution of an ancient musical-liturgical tradition
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Music for Good Friday
A conversation with Marcus Rathey and Michael Marissen about Johann Sebastian Bach’s St. John Passion. (12 minutes)
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Mars Hill Audio Journal, Volume 137
FEATURED GUESTS:
Gilbert Meilaender, James L. Nolan, Joel Salatin, Michael Di Fuccia, Robin Leaver, and Michael Marissen
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Mars Hill Audio Journal, Volume 135
FEATURED GUESTS:
Bob Cutillo, Hans Boersma, Dana Gioia, Matthew Levering, Bruce Gordon, and Markus Rathey
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Mars Hill Audio Journal, Volume 120
FEATURED GUESTS:
Douglas Rushkoff, Phillip Thompson, Jonathan Wilson, James Bratt, D. C. Schindler, and Paul Elie