Mar262021
Book excerpt

“The composer and scholar Johann Mattheson defines oratorio: ‘An oratorio is nothing other than sung poetry that represents a certain action or edifying occurrence in a dramatic way . . . an oratorio is a spiritual opera.’ Mattheson was one of the foremost music theoreticians of his time. His lengthy treatise Der vollkommene Capellmeister (‘The Perfect Music-Master’), published in 1739, remained influential into the early classical period. He writes that oratorio is a performance that ‘brings beautiful thoughts and events to light, not in bare speech, or in narrative alone, but in moving scenes of all kinds; spirits are raised to meditation and holy fear, as well as to compassion and other impulses, but primarily to the praise of God and to spiritual joy, through chorales, choruses, fugues, arias, recitatives, and the employment of the most skillful diversity, all with various instruments, as the occasion demands, cleverly and unpretentiously providing accompaniment.’ The primary example of oratorio, for Mattheson, is the performance of the Passion of Christ. (Although he notes that in some major churches, because of opposition of the clergy, the Passion genre is curtailed; in other churches it is performed ‘in true oratorio fashion.’)

“The first true Passion oratorio in Mattheson’s sense is considered to be Der blutige und sterbende Jesus (‘The Bloodied and Dying Jesus’) by the celebrated poet Christian Friedrich Hunold (known under the pen name ‘Menantes’), set to music by Reinhard Keiser in 1704. For the first time the role of the evangelist is eliminated. The scriptural texts are replaced by Hunold’s poetry, drawn freely from all four Gospels, and the characters address each other as though in an opera or a play, without a narrator. However, Hunold adds an allegorical figure, the ‘Daughter of Sion,’ to react emotionally to the events — somewhat in the manner of the ‘chorus’ in Greek drama. Hunold later explained that he did not use any ‘high poetic language’ in his writing, but had followed the spirit of the plain word of God; and in fact there are echoes of Luther’s translations of the Gospels in his text. Nevertheless, we know from a handwritten marginal note on the manuscript of the libretto in the Acta Hamburgensis that ‘many took offence or were even scandalized by it’ at the first performance in Hamburg. (Where it is likely that the young Handel was present as a violinist or clever symbolists.) . . .

“Both texts and music of the oratorio bespeak an effort to produce ‘compassion,’ not only for Jesus, but also for Mary, who has a lengthy lament. . . . [T]his was typical of Catholic spirituality; but it was something that Luther had said should be avoided in meditation on the cross. Like the change in musical form to a more emotional, subjective, and operatic form, it expresses the new devotional feelings that were arising in some Lutheran circles. Dialogues of the sinful and lamenting soul with God or with Jesus formed a significant part of the Neue Frömmigkeit (‘new piety’) that took hold in the Lutheran tradition during the seventeenth century, even outside the bounds of Pietism. The genre of colloquies between the soul and God often with the words on each side provided by scriptural texts, became common in German Lutheran devotional books and songs from the 1620s onward, and flourished in the mid-century. . . .

“Luther’s idea of true meditation on the passion centered on sin and its forgiveness. He favored a didactic portrayal of the crucifixion, in which the cross is shown primarily as the means of God’s triumph. We have also noted that the Pietist movement, while keeping this perspective, also reintroduced a strong affective devotion to the suffering Jesus, and complemented Luther’s doctrine of justification by faith with a new stress on the personal transformation that should be its result.”

— from Richard Viladesau, The Pathos of the Cross: The Passion of Christ in Theology and the Arts—The Baroque Era (Oxford University Press, 2014). Viladesau was interviewed on Volume 123 of the Journal. 

Related reading and listening

  1. Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  2. The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  3. The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  4. Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Oliver O'Donovan:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Adam K. Webb:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Mark Bauerlein:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Felicia Wu Song:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Joseph E. Davis:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Thaddeus Kozinski:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Craig M. Gay:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Mark T. Mitchell:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Karen Dieleman:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Tim Clydesdale:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring J. Mark Bertrand:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Mathew Levering:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Mark G. Malvasi:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Kirk Farney:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Bradley J. Birzer:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Ralph C. Wood:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Paul Heintzman:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Gil Bailie:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Zygmunt Bauman:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Matthew Lee Anderson:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Mike Aquilina:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Bishop Robert Barron:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Frederick Buechner:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Jeffrey Bilbro:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring James A. Herrick:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Andrew Wilson:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Susan Cain:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Marilyn McEntyre:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Andrew Spencer:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Albert Borgmann:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Catherine Prescott:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Maggie M. Jackson:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Garret Keizer:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Andy Crouch:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Kyle Hughes:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Philip G. Ryken:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Eric Miller:

  • The Passion and compassion — Richard Viladesau on art, meditation, and the affections
  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Landon Loftin:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Barry Hankins:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Quentin Schultze:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Paul Walker:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Jason Peters:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Alexander Lingas:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring Fr. Damian Ference:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to lectures and commentary by Ken Myers:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie

Links to posts and programs featuring David Cayley:

  • The Cross in artistic expression — Richard Viladesau examines how the Passion of the Christ has been depicted artistically and aesthetically throughout Church history. (21 minutes)
  • Stabat Mater dolorosa — Ken Myers offers some thoughts on the aesthetics of sympathy, and introduces some of the musical settings of the remarkable medieval poem known as “Stabat Mater dolorosa.” (23 minutes)
  • Mars Hill Audio Journal, Volume 123 — FEATURED GUESTS: Nicholas M. Healy, Christian Smith, James K. A. Smith, Esther Lightcap Meek, Richard Viladesau, and Jeremy Begbie
Tags: